Barry Truax
Barry Truax (born
1947) is a
Canadian composer who specializes in
real-time implementations of
granular synthesis, often of
sampled sounds, and
soundscapes. He developed the first ever implementation of real-time granular synthesis, in 1986, the first to use a sample as the source of a granular composition in 1987's
Wings of Nike, and was the first composer to explore the range between synchronic and asynchronic granular synthesis in 1986's
Riverrun. The real-time technique suites or emphasizes
auditory streams, which, along with soundscapes, inform his aesthetic.
Truax teaches both
electroacoustic music and
computer music and
acoustic communication at
Simon Fraser University. He was one of the original members of the
World Soundscape Project. His students include
John Oswald.
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Riverrunn (1986, Wergo WER 2017-50)
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Wings of Nike (1987, Cambridge Street Records CSR CD-9401 and
Perspectives of New Music CD PNM 28)
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Tongues of Angels (1988, Centrediscs CMC CD-4793)
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Beauty and the Beast (1989, Cambridge Street Records CSR-CD 9601)
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Pacific (1990, Cambridge Street Records CSR CD-9101)
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Pacific Fanfare (1996)
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Wings of Fire for female cellist and two digital soundtracks including the Joy Kirstin's poem "Wings of Fire" read by Ellie Epp (1996)
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Androgyne, Mon Amour for amplified male double bass player and two digital soundtracks including text from
Tennessee Williamsbook of the same title read by Douglas Huffman (1997)
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Barry Truax: Electroacoustic Composer & Acoustic Communication Researcher
