Blue Man Group
Blue Man Group is a creative organization centered on a trio of mute performers, called Blue Men, that present themselves in blue paint, latex bald caps, and black clothing.
Friends Chris Wink, Matt Goldman and Phil Stanton (collectively referred to as CMP) conceived the idea during the
1980s while in
New York City. They began appearing on the streets in Blue Man regalia,
busking for passersby and staging unusual events such as
The Funeral For the 80s, and doing short bits as part of the underground cabarets of Tom Murrin's
The Alien Comic, in "The CLUB" at La MaMa Experimental Theater Club.
Meryl Vladimer, the Artistic Director of
The CLUB, saw their work and commissioned Blue Man Group to create a full-length show. The resulting piece,
TUBES, took off after Vladimer persuaded
The New York Times critic
Stephen Holden to review it. Blue Man Group's popularity continued to snowball, eventually winning CMP an
Obie Award and a
Lucille Lortel Award, which led producers to take the show to
off-Broadway.
TUBES opened in
1991 at the
Astor Place Theater. This show, and frequent appearances on
The Tonight Show, enabled CMP and Blue Man Group team to open similar productions and expand their concepts into other kinds of performances.
Blue Man Group's theatrical acts incorporate
rock music (with an emphasis on
percussion), odd props, audience participation, sophisticated
lighting, and large amounts of
paper. It is also noted for having a "
poncho section" of the audience; in the front rows, audience members are provided with plastic ponchos in order to protect them from various
foods, substances, paints, and so on, which get thrown, ejected, or sprayed from the stage. The shows are family-oriented, humorous, energetic and often employ thought-provoking
satire on modern life. Much of the humor breaks the
fourth wall, for example, interrupting the show to ridicule latecomers in the audience.
List of theatrical productions
*"Tubes/Rewired" in
New York at the
Astor Place Theatre (1991—)
*"Tubes/Rewired" in
Boston at the Charles Playhouse (1995—)
*"Tubes/Rewired" in
Chicago at the Briar Street Theater (1997—)
*"Live at Luxor" in
Las Vegas at the
Luxor Hotel Theater (March 10, 2000–September 15, 2005)
*"Bluephoria/Live at the Venetian" in
Las Vegas at
The Venetian (October 10, 2005—)
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Berlin at the Theater am Potsdamer Platz (2004—)
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Toronto at the Panasonic Theatre (June 20, 2005—)
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London at the New London Theatre (November 2005—)
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Amsterdam at the Theater Fabriek (December 2006—)
Themes
Themes presented in the theatrical productions include:
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Information overload and
information pollution, such as when the audience is asked to choose one of three simultaneous streams of information to read.
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Innocence, as when the Blue Men appear to be surprised and perplexed by common artifacts of modern society or by audience reactions.
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Self-conscious and
naïve imitation of cultural norms, such as attempting to stage an elegant dinner for an audience member, and the "Rock Concert Instruction Manual".
As the shows evolved, Blue Man Group developed a set of custom
musical instruments, many designed from the observation that common materials, such as
PVC pipes, make interesting noises when struck.
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PVC. The PVC is an instrument made out of 2" PVC pipe. The pipes are cut to exact lengths and the Blue Man plays the instrument by striking one of the open ends with a closed-cell foam rubber paddle. In the live shows, three separate PVC instruments are used, one for low, mid, and high octaves. This instrument also comes in a "backpack" variety for portability, which comes optionally equipped with confetti/streamer shooters. The "floor" PVC units are generally painted with
phosphorescent dye invisible under normal lighting conditions, but of visibly different colors under
ultraviolet light. During a performance, levels of such are generally adjusted to give the PVC the appearance of changing from white to colorful. Along with the tubulum and drumbone, PVCs can be classified as
plosive aerophones.
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Tubulum. Similar in concept to the PVC, the Tubulum uses 4" PVC pipe and has cardboard or rubber "reeds" on the end that are struck with drumsticks. This gives the Tubulum a more "updated" sound than the PVC; in fact, the
synthesizer-like sound quality of the instrument inspired Blue Man Group's
cover of "
I Feel Love" by
Donna Summer. The Tubulum is designed for playing
bass notes, so the tubes must be sufficiently long to generate the low sounds. Because of the unavoidably large size of this instrument, the performance venues for the theatrical shows in New York, Boston, and Chicago are not physically large enough to contain it. A more compact instrument was used on the Complex Rock Tour and in the video for "I Feel Love"; the tubes twist around for extra length, below the frame that holds the tube "heads". Backpack tubulums, with the same streamer-launching abilities of the backpack PVC, are used in the Las Vegas, Berlin, Toronto & London shows. Another variation of the Tubulum is the Paddle Tubulum, which allows the Blue Man to play bass notes with the ease of paddles, as on a PVC; this instrument was used on
The Complex and the Complex Rock Tour.
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Airpoles. Airpoles are hollow
fiberglass boat antennae of various lengths. The instrument is sharply swung to create a "swoosh" sound. These instruments come in three varieties. Sword airpoles are short and held on the end like a sword. Wiper airpoles are longer versions of sword airpoles. Angel airpoles are very long and are held in the middle so that both ends move in unison to create syncopated rhythm. This is supposedly one of the most difficult Blue Man instruments to learn, as it requires very precise muscle control that can take a long time to develop. Unlike most of the other instruments listed here, airpoles were not, strictly speaking, "invented"; they were
discovered when one of the founders of the group swung a boat antenna through the air while experimenting to find new instruments.
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Drumbone. The Drumbone is another instrument made from large-diameter PVC; this one uses two movable sections to alter the pitch. One Blue Man plays the instrument with drumsticks, another moves the horizontal slide, and the third Blue Man moves the vertical slide. The Drumbone is only used in the song of the same name, which is an audience favorite. Blue Man Group used a special Drumbone shaped like the
number 4 for the
Intel Pentium 4 commercials.
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Drumulum. The Drumulum consists of a drum and a sliding PVC pipe (or "ulum") under the drum. The length of the tube determines the pitch of the drum.
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Hammered Dulcimer and
Cimbalom. Although they are not inventions of the Blue Man Group, these instruments are played with drumsticks rather than the usual
felt hammers. This gives the instrument a much move aggressive sound with a sharp attack. Because of the nature of Blue Man Group's music, only a few notes of each instrument tend to be used on any given performance; to minimize the odds of sour notes, multiple adjacent strings are generally tuned to the same note.
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Chapman Stick. Used in the backup band, the Stick is most notably heard in the "Mandelbrot" series of songs (of which there are 4), "Synaesthetic", and "Your Attention". In addition to "tapping" the instrument, the Stick player also "bows" the lowest two strings (with a .110 gauge bass string cut approx 10" long) in the "Mandelbrot" songs.
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Zither. Blue Man Group uses a custom-built, 98-stringed electric zither. Along with the Chapman stick player & drummer(s), the zither player fills out the "basic" backup band for Blue Man Group. Sometimes, the zither is played with a glass slide on the left hand and fingerpicks on the right hand. From there the signal goes through a series of guitar pedals and then into a vintage guitar amp. When played this way, the zither is called the Pressaphonic, which supplies the main riff in "Rods & Cones".
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Dogulum. This instrument is "played" by taking Chris Wink's
dog and stroking him rhythmically until the dog enters a state of Zen-like complete contentment; the dog is then recorded, and the vibe is included on the album mix.
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Piano Smasher. The Piano Smasher is a
piano stripped down to its frame and stood up on its side. It is played by hitting the strings with a large soft mallet, resulting in a clangy, almost discordant sound. In live performances, this instrument is generally played with a
MIDI system, using sensors behind the strings, as the instrument goes out of tune very quickly. Each Piano Smasher is tuned to only one or two notes, as it would be otherwise impossible to get anything resembling a musical tone from the instrument.
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Shaker Gong. A Shaker Gong is a matrix of
ball bearings inside a steel casing, suspended from a frame by surgical tubing. It is struck with a mallet to produce a sharp, lingering sound vaguely reminiscent of a
rattlesnake.
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Gyro Shot. This was a failed instrument from the
Audio sessions. It consisted of ball bearings inside spinning tubes. Although it looked futuristic, the only sound Blue Man Group managed to get from it was a weak
rain stick-like sound.
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Aronophonic. The Aronophonic was invented by Blue Man Group instrument technician Aron Sanchez in order to reinvent cymbals, shakers and other high frequency percussive instruments. It consists of multiple pieces of metal laid out on a rack so the drummers can hit them with drumsticks and allow the pieces of metal to stay together.
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Electric Dog Toy. Blue Man Group took a dog toy that had whale sound sampled in it and moved it in different ways near an electric guitar pickup. The result was a high-pitched squeal that can be heard at the end of "Drumbone".
In 1999, the group released their first audio recording, appropriately called
Audio. Although it contained the music from the venue production, it was less of a soundtrack and more a collection of full-length instrumentals that featured the new instruments. The group participated in
Moby's
Area2 tour in 2002, giving a more rock-oriented performance than in the theatrical shows. Songs developed during this tour appeared on 2003's
The Complex. Unlike its predecessor,
The Complex featured a variety of vocalists and guests including
Tracy Bonham,
Dave Matthews,
Gavin Rossdale and
Venus Hum. The record spawned its own 2003 tour, the first headlined by Blue Man Group. The tour cleverly deconstructed the traditional
rock concert experience into its often clichéd parts and was chronicled in a 2004
DVD release.
A fall
2006 North American tour has been announced. The "How to Be a Mega Star Tour 2.0" is expected to reuse some material from the original Complex tour as well as new material.[
1]
When Blue Man Group was still solely in New York, they ran a variety of fake advertisements in
The Village Voice.Since 1992, Blue Man Group has appeared on
The Tonight Show with Jay Leno 16 times (most recently on October 6, 2005) and on "
Live with Regis and Kelly" four times.
The group achieved widespread visibility when they appeared in an
Intel advertising campaign for
Pentium 3 and
Pentium 4 CPUs as well as
Centrino technology.
Blue Man Group also "appeared" on
animated TV series
The Simpsons as part of one of the
couch gags, had guest appearances in
The Drew Carey Show, and appear in an informational video played continuously at security checkpoints in
McCarran International Airport in
Las Vegas, Nevada. Throughout the entire second season of
Arrested Development, a running subplot was that of
Tobias Fünke (
David Cross) attempting to join the group. The group themselves were featured at least once. The Blue Man Group was also parodied in the
Family Guy movie,
Stewie Griffin: The Untold Story where Peter mentions that he and Lois went to Las Vegas to see the "Jew Man Group." In the
Joss Whedon television series
Angel, it is stated in the episode "
The House Always Wins" that two members of Blue Man Group are actually demons. In 2004, Blue Man Group also made an appearance in the show
Las Vegas in the episode "Blood and Sand" (original airdate January 5, 2004). In the episode, they play themselves "thrashing" the hotel owned by Ed Deline (
James Caan), and shooting money from PVC pipes in the lobby.
In 2005, the group collaborated with artist
David LaChapelle and produced several new images for upcoming ad campaigns, including their show "bluephoria" at the Venetian in Las Vegas. These images are radically different from any of the group's previous advertising and can now be seen on the
official webpage.
In December 2005, Blue Man Group appeared at the
Royal Variety Performance in
Cardiff, where they performed "
I Feel Love" with
Katherine Jenkins on vocals. They also created a piece of
Yves Klein-inspired art by daubing comedian
Joe Pasquale in paint, attaching him to a pulley, and swinging him against a large canvas; Blue Man Group also performed their popular "spin art/marshmallows" skit. Videos of each of these segments are available on the Blue Man Library (see link below).
Blue Man Group also provided music for two movies. "The Current" was featured on the soundtrack for
Terminator 3, and Blue Man played various percussion instruments on the score of 2005's
Robots.
Blue Man Group has had a large influence on modern artforms, most recently and notably in the band Leon's music video "Getting Into You" [
2], in which the members of the band have TVs on their heads.
In June 2006,
Swatch launched a new range of colored watches with BMG as the faces of the advertising campaign. A limited edition Blue Man Group watch was also released, featuring all 3 men throwing paint to each other on the strap.
Blue Man Group has a large following comprising a diverse group of fans from all over the world. The community is centered on the message boards on the
official website, as well as fan-based web sites like
Blue Man Library. Blue Man Productions, the company responsible for Blue Man Group, has been extremely supportive of the fan community. Blue Man Group employees will often post messages exclusive to the fan base and participate in regularly scheduled chat sessions at
Blue Man Library.
Announcing their debut in
Toronto, Ontario in 2005, Blue Man Group attracted considerable controversy for opting not to use
unionized workers for their show, which many labor groups regarded as being highly unusual for a show of its size in Canada. Their
June 20,
2005 premiere in Toronto was
picketed by members of the
Canadian Actors' Equity Association, the
Toronto Musicians' Association, and two locals of the
International Alliance of Theatrical Stage Employees. Despite this, Blue Man Group continues to play in Toronto [
3].
In Las Vegas in
April 2006, Blue Man Group moved from the Luxor Hotel, where they had a union contract, to the Venetian Hotel, electing not to keep the contract. Employees who went from the Luxor venue to the Venetian started an organizing campaign with IATSE Local 720 in Las Vegas, claiming that without the union contract they would not receive a pension and could not provide adequate healthcare for themselves or their families.
On May 25th, 2006, employees at the Blue Man Group Las Vegas voted to be represented by IATSE Local 720 in Las Vegas Nevada. The election was supervised by the National Labor Relations Board region 28 based in Phoenix Arizona. The winning election now permits the employees to start bargaining a contract with Blue Man Productions.
Audio CD LP (1999)
Audio DVD-audio LP with 5.1 surround sound mix (2000)
The Complex CD LP (2003)
The Complex DVD-audio LP with 5.1 surround sound mix (2004)
Rods and Cones Single iTunes exclusive digital download (2006)A live recording of "Rods and Cones" at the Venetian show.
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Live at the Venetian-Las Vegas iTunes exclusive digital download (2006)
The Complex Rock Tour Live DVD (2003)
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Uberschall*
Transit*
Thirsty*
The Troubadors*
The Job*
The Tiny Specks*
Hot Fo' Gandhi*
Dead Ant GamesOfficial sites
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Blue Man Group Official Web Site
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Blue Man Group Official UK Website
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Exhibit 13*
Blue Man Group Casting*
Blue Man Store*
Words on the Left*
Astor Place Theatre New YorkFan sites
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Blue Man Library Official Fan Site
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Soniablue.com*
BMG Construction 101 Instructions for building homemade Blue Man instruments
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Eternallyblue Expressions*
Performance art*
Stomp
