Darius Milhaud

Darius Milhaud

Darius Milhaud (September 4, 1892 – June 22, 1974) was a French composer and teacher. He was a member of Les Six - also known as the Groupe des Six - and one of the most prolific composers of the 20th century.

Born to a Jewish family in Aix-en-Provence, Milhaud studied in Paris at the Paris Conservatory where he met his fellow group members Arthur Honegger and Germaine Tailleferre. He studied composition under Charles Widor and harmony and counterpoint with Andre Géldage. In addition he studied privately with Vincent d'Indy. As a young man he worked for a while in the diplomatic entourage of Paul Claudel, the eminent poet and dramatist, who was serving as ambassador to Brazil.

On a trip to the US in 1922, he discovered jazz, which left a great impact on his musical outlook. He left France in 1939 and emigrated to America in 1940 (his Jewish background made it impossible for him to return to his native country until after the Liberation); he secured a teaching post at Mills College in Oakland, California.

From 1947 to 1971 he taught alternate years at Mills and the Paris Conservatoire, until poor health, which caused him to use a wheelchair during his later years (beginning sometime before 1947), compelled him to retire. He died in Geneva.

Notable students of Milhaud:
*Iannis Xenakis
*Morton Subotnick
*Dave Brubeck
*Bill Smith
*Burt Bacharach
*Benjamín Gutiérrez Sáenz
*Steve Reich
*Karlheinz Stockhausen (though he left his studies early)
*William Bolcom
*Charles Dodge
*Philip Glass (During a summer camp where he challenged Aaron Copland's opinion)
*Stanley HollingsworthHis compositions are particularly noted as being influenced by jazz and for their use of polytonality (music in more than one key at once).
*Benjamín Gutiérrez SáenzMilhaud (like his contemporaries Paul Hindemith, Bohuslav Martinů and Heitor Villa-Lobos) was an extremely rapid creator, for whom the art of writing music seemed almost as natural as breathing. His most significant works include Le Boeuf sur le Toit (ballet), La Création du Monde (jazz), Scaramouche (for Saxophone and Orchestra, transcribed also for two pianos), and Saudades do Brazil (dance suite). His autobiography is titled Notes Sans Musique (Notes Without Music), later revised as Ma Vie Heureuse (My Happy Life).

Compositions

Note that the following list represents only a tiny proportion of Milhaud's output; his opus list ended at 443.

Orchestra
*1919 Le bÅ"uf sur le toit, Op. 58, ballet (after Cocteau)
*1920 Saudades do Brazil, Op. 67 (initially for piano, arr. for orchestra)
*1920 Cinq Études pour piano et orchestre, Op. 63
*1923 La création du monde, Op. 81, ballet music for small orchestra
*1926 Le Carneval d'Aix, Op. 83b, Fantasy for piano and orchestra
*1937 Suite provençale, Op. 152b for orchestra
*1939-1961 12 symphonies

Wind Instruments
*1939 Scaramouche for Alto Saxophone and Orchestra (rearrangement of the original theatre music for Saxophone and small ensemble)
**I. Vif
**II. Modéré
**III. Brazileira
*1944 Suite française, Op. 248
**1. Normandie
**2. Bretagne
**3. Ile de France
**4. Alsace-Lorraine
**5. Provençe
*1954 West Point Suite, Op. 313
*1960 Deux Marches, Op. 260
**Introduction
**Marche funèbre

Piano
Le bÅ"uf sur le toit for two pianos (1919)
Scaramouche transcription for two pianos of the original theatre music (for Saxophone and Ensemble) (1936)

Stage
*1930 Christophe Colomb, opera
*1939 Médée, opera, text by Madeleine Milhaud (his wife and cousin)
*1950 Bolivar, opera

Chamber Music
*1912-1950 18 string quartets
**The 14th and 15th string quartets can be performed separately as well as simultaneously as a string octet. (For a curious 19th-century example of a composer writing works for simultaneous performance, see Pietro Raimondi.)

Vocal Music
*1919 Machines agricoles, Op. 56, for one singer and 7 instruments
**The texts for this composition were taken out of a catalogue for agricultural machines.

Location of Original Source Material Relating to Darius Milhaud

The Western Jewish History Center, of the Judah L. Magnes Museum, in Berkeley, California has a score for Milhaud's opera, David, as well as a program for its Amerivan premiere, in Los Angeles, at the Hollywood Bowl (1956).

External links

*Darius Milhaud 1892â€"1974 by Ronald Crichton. Musical Times, August 1974.