Denis Wick

Denis Wick is Britain's most influential orchestral trombonist of the 20th century. He is also an internationally respected brass teacher and designer of brass mutes and mouthpieces. On retirement in 1989 he was awarded the International Trombone Association's annual award and serves as their president since 2004.

He was born in 1932 in Chelmsford, England and taught himself trombone from the age of 10 when he received an instrument from the local Salvation Army band. He played with the band until the age of 15 and soon joined Luton Brass Band which was enjoying considerable national success at the time. At the age of 16 he heard his first orchestral concert, and Malcolm Arnold's trumpet playing so inspired him, he decided to pursue a career in playing.

His family was not well off, so in an unusual step at that time, his mother started work to fund Denis' studies. He spent a year at the Royal Academy of Music from 1950, but claims he was frustrated with not learning anything there. Sid Langston was the professor, but he all but refused to pass on any of his experience in case his students 'stole' his work.

He did an amateur date in Salisbury and by chance the other trombonists were from the Bournemouth Symphony Orchestra, so when the 2nd trombone job came up in May 1951, they called to invite him to audition by telegram, along with all the final year students at the London music colleges. Denis won this audition and entered this large full-time professional orchestra, the Bournemouth Symphony Orchestra, at the age of 19. Denis went on to win an audition with the City of Birmingham Symphony Orchestra in 1952, a year after conductor Gerard Schwartz had moved there. The audition had to be stern to persuade the administrators that he wasn't handing out jobs to his friends.

In Birmingham in 1955 Denis worked with Gordon Jacob in premiering the famous trombone concerto. This piece shows off the advances in technique that he was making: the cadenza in the last movement makes great use of warm-up and flexibility studies that Denis had developed and would prove hugely influential in the teaching of brass players in Britain to this day.

It was his position as principal trombone at the London Symphony Orchestra 1957-1989 that he is most revered for, especially as they made so many fine recordings. The brass playing in the Star Wars films has encouraged a whole generation of brass players, Denis making a blistering sound in partnership with another legend, Maurice Murphy, on 1st trumpet. Another recording where Denis made his mark is in the large solo in the 1970 LSO/Horenstein (Unicorn) recording of Mahler's Third Symphony.

Soon after moving to the LSO, Denis moved the LSO section from .485" bore Boosey Imperial tenor trombones and a .523" G bass trombone to the American "large bore" instruments (.547" tenor and slightly larger bass, now in Bb). Experimentation possibly started in Birmingham, and the Jacob Concerto suits the larger sound, but post-war import restrictions made these instruments impossible to obtain legally. Certainly he was a pioneer in Britain and soon all the other orchestral players followed suit.

Denis taught initially at Guildhall School of Music and Drama (1967-1976) and since 2000 serves on the faculty at the Royal Academy of Music, London. He has his own line of mutes and mouthpieces for brass instruments, and owns Denis Wick Publishing.

Discography

* 1968 Mahler - Symphony No. 3 (LSO/Solti, Decca)
* 1969 Berlioz - Symphonie funèbre et triomphale (LSO/Davis, Philips)
* 1970 Mahler - Symphony No. 3 (LSO/Horenstein, Unicorn)
* 1973 George Walker (1922-) - trombone concerto (LSO/Freeman, CBS)
* 1978 Stravinsky - Pulcinella - ballet (LSO/Abbado, Deutsche Grammophon)

External links

* Mutes and mouthpieces business
* Interview article (British Trombone Society)
* Hugo Magliocco's perspective on Denis Wick
* Bio on (International Trombone Association) website