Industrial Records
Industrial Records was a
record label established in
1976 by art/music group
Throbbing Gristle. The group, fronted by
Genesis P-Orridge, were to release their experiments in non-entertainment sound and multimedia through the label; in addition to a host of other artists on the periphery of the music business. The label gave a name to the
industrial music genre.
Industrial Records was perhaps even more important in P-Orridge's attack on the public consciousness than his band. Whereas contemporary
Punk Rock bands were instantly co-opted into the music business, providing product for the teen-rebellion and fashion markets, Industrial Records output resolutely refused to compromise their stance, even to the audience they attracted.
Other artists released through the label included
Clock DVA and The
Leather Nun, plus outrage artist
Monte Cazazza, the author
William S. Burroughs and a solo album by TG member
Chris Carter. One of the most incongruous releases on the Industrial Records label was a version of the
blues standard
Stormy Weather sung by
Elisabeth Welch, taken from the soundtrack of
Derek Jarman's film
The Tempest.
Marketing was purposely anti-commercial, ironic and propagandist. P-Orridge pointedly noted that gratuitous content was a commonplace in entertainment marketing and questioned why his use of pornography, sado-masochism and genocide should be objectional in the light of their being a pointer to existing, and acceptable, ploys within the industry. Disturbing and thought-provoking imagery and packaging complemented Industrial Records output: TG's debut LP was limited to 786 copies and came in
bootleg packaging, a plain white card sleeve with glued-on xerox information strips; the Industrial Records logo was a depiction of the chimney at
Auschwitz death camp - industry at its darkest; and the
Woolworths bargain-bin
kitsch packaging of
20 Jazz Funk Greats portrayed TG as pop niceguys, posing in casual-wear on
Beachy Head, Britain's most popular
suicide location! Not content with a single live release, the label released a cassette box set '24 hours of TG'; documenting the first 24 TG live performances in their entirety.
The label served to provide a record of the industry of Throbbing Gristle and their label-mates and by the time of its dissolution was one of the most successful British independent labels, boasting full-page ads in music weeklies and unfailingly selling out its limited edition releases. Fittingly, a TG 'greatest hits' album was subtitled
Entertainment Through Pain.
Throbbing Gristle disbanded in
1981, with P-Orridge moving on to form
Psychic TV. The Industrial Records label lay dormant for twenty years, although its products, still popular to a niche audience, continued to be made available through material licensed to specialist independent label
Mute and others throughout the world. Then, in 2002, the label was reactivated for a special remastered re-release of '24 hours of TG' in a 24 CD box set format. Other releases are expected in 2003.
Official
*
Industrial Records official website*
Genesis P-Orridge official website*
Chris and Cosey official website*
The Leather Nun official website*
Mute official websiteUnofficial
*
Definitive Throbbing Gristle info site*
Industrial Records fan site