James Agee
James Rufus Agee (
November 27,
1909 –
May 16,
1955) was a Pulitzer Prize-winning American
novelist,
screenwriter,
journalist,
poet, and
film critic. In the
1940s he was one of the most influential film critics in the U.S. His autobiographical novel,
A Death in the Family (
1957), won the author a posthumous
Pulitzer Prize.
Agee was born at 15th and Highland Streets in
Knoxville,
Tennessee to Hugh James Agee and Laura Whitman Tyler, and had distant French and English ancestry on his father's side.[
1] When Agee was six, his father died in an automobile accident, and from the age of seven he was sent to boarding schools, where he felt isolated from and abandoned by his mother. He attended St. Andrews-Sewanee School (then an Episcopal monastery run by the monks), and
Phillips Exeter Academy, (class of 1928), where he edited the
Monthly and was president of The Lantern Club (though barely passing many of his courses), before going on to
Harvard University (class of 1932) where he was president of the
Harvard Advocate and delivered the class ode at commencement.
After graduation, he wrote for
Fortune and
Time magazines. (He is better known, however, for his later film criticism in
The Nation.) He married Via Saunders on January 28, 1933; they divorced in 1938 and that same year he married Alma Mailman. In
1934, he published his first volume of poetry,
Permit Me Voyage, with a foreword by
Archibald MacLeish.
In the summer of
1936, Agee spent eight weeks on assignment for Fortune with photographer
Walker Evans living among sharecroppers in
Alabama. While
Fortune didn't publish his article (he left the magazine in 1939), he turned the material into a book entitled,
Let Us Now Praise Famous Men (1941). It sold only 600 copies before being
remaindered. That same year, Alma moved to
Mexico with their year-old son, Joel, to live with Communist writer
Bodo Uhse, while Agee began living with Mia Fritsch in
Greenwich Village. (They were married in 1944, and had two daughters, Teresa and Andrea, and a son John, who was only eight months old when Agee died).
In 1942, Agee became the film critic for
Time, while also writing occasional book reviews, and subsequently becoming the film critic for
The Nation. In 1948, however, he quit both magazines to become a freelance writer. As a freelance in the 1950's, he continued to write magazine articles while working on movie scripts (often with photographer
Helen Levitt).
In
1951 in
Santa Barbara, Agee suffered the first two in a series of
heart attacks, which ultimately claimed his life four years later at the age of 45. He died on May 16, 1955 (while in a taxi cab en route to a doctor's appointment) -- ironically on the same month and day on which his father had died.
His considerable, if erratic, career as a movie scriptwriter was curtailed by alcoholism, and his contribution to
The Night of the Hunter (
1955) remains unclear. What is certain, however, is that Agee is one of the credited screenwriters on two of the great films of the 1950s.
During his lifetime, Agee enjoyed only modest public recognition, but since his death his literary reputation has grown enormously. In 1957 Agee's novel,
A Death in the Family (which was based on the events surrounding his father's death), was published posthumously. It won a Pultizer Prize in 1958. In addition,
Let Us Now Praise Famous Men (1941) has since been placed among the greatest literary works of the 20th Century by the New York School of Journalism and the New York Public Library.
* 1934
Permit Me Voyage, in the
Yale Series of Younger Poets* 1941
Let Us Now Praise Famous Men: Three Tenant Families, Houghton Mifflin
* 1951
The Morning Watch, Houghton Mifflin
* 1951
The African Queen, screenplay from
C. S. Forester novel
* 1954
The Night of the Hunter, screenplay from
Davis Grubb novel
* 1957
A Death in the Family (posthumous; stage adaptation:
All the Way Home)
*
Agee on Film*
Agee on Film II*
Letters of James Agee to Father Flye*
The Collected Short Prose of James Agee* James Agee,
Let Us Now Praise Famous Men, etc.,
The Library of America, 159, with notes by Michael Sragow, 2005.
* Alma Neuman,
Always Straight Ahead: A Memoir, Louisiana State University Press, 176 pages, 1993. ISBN 0-8071-1792-7.
*
A Mother's Tale