Ladysmith Black Mambazo
Ladysmith Black Mambazo is a chorus from
South Africa that is noted for singing
a cappella isicathamiya and
mbube music. They rose to worldwide prominence as a result of singing with
Paul Simon on his album,
Graceland. They were formed by
Joseph Shabalala in 1960 and became one of South Africa's prolific recording artists, with their releases receiving gold and platinum disc honors.
[Erlmann, V: "Nightsong", page 291-92. The University of Chicago Press, 1996]The group has now become a mobile academy, teaching people about South Africa and its culture.
Ladysmith Black Mambazo was formed as a result of a series of dreams that
Joseph Shabalala had in 1964, in which he heard particular harmonies. They were so good that they were eventually forbidden to enter
isicathamiya competitions but were welcomed to entertain at them.
[Shabalala, J: "On Tiptoe: Gentle Steps to Freedom". New Video Group, 2004] Although they had been recognised as an
isicathamiya group in 1964, they had been singing together since the early 1950s.
1960-1986
Shabalala formed the first incarnation of Ladysmith Black Mambazo in December 1960;
Ezimnyama Ngenkani (The Black Ones) was founded and Shabalala began teaching them various harmonies. The members of the group were relatives (mostly brothers and cousins) of Shabalala, with many having sung with him whilst he was growing up on the farm where he was born. Although the group did sing well together and captured the sound of
cothoza mfana (
tip toe boys, a 1960s slang term for isicathamiya) and
mbube groups of the time, they were unknown outside of the Ladysmith district.
In late 1964, Shabalala had a series of dreams (whilst he was asleep) that spanned over six months, in which he saw a choir of singers, singing in perfect harmony.
[Simonson, E: "On Tiptoe: Gentle Steps to Freedom", interview with Joseph Shabalala. New Video Group, 2004] Whilst his current group had not achieved this sound, Joseph reformed the group as
Ladysmith Black Mambazo and taught them the harmonies from his dream.
The name of the group is derived in the following manner:
*"
Ladysmith" is the hometown of the Shabalala family
*"Black" refers to the , considered to be the strongest on the farm
*"Mambazo" means
axe in the
Zulu language; symbolic of the group's ability to "chop down" the other competition
Shabalala entered the group into isicathamiya competitions, which were held on Saturday nights in the cities of areas like
Durban and
Johannesburg. The group became so good and won nearly every competition that was held; eventually in 1973, they were allowed to perform, but forbidden to compete with the other choirs.
[Erlmann, V: "Nightsong", interview with Joseph Shabalala (page 292). The University of Chicago Press, 1996]In 1967, they began to make recordings over the radio for
Radio Zulu, and popular demand by fans and followers brought about a recording contract by
West Nkosi, a member of the
Makgona Tsohle Band and a music producer at
Gallo Record Company, in 1972. The group accepted, and the group released their first album the following year;
Amabutho, received
gold status (the first album by a black musician in South Africa to do so). The albums that followed also received gold and even platinum disc certification.
[Erlmann, V: "Nightsong", page 293. The University of Chicago Press, 1996] By the time they had sold their second album, they had become professional singers.
[Simonson, E: "On Tiptoe: Gentle Steps to Freedom", interview with Patrick Buthelezi (Radio Zulu announcer). New Video Group, 2004]In 1975, Shabalala converted to
Christianity and the group released their first religious release,
Ukukhanya Kwelanga. The album sold well enough for it to earn a double platinum disc award, and the songs in the Mambazo repertoire were shuffled to one side to include many Christian and
Methodist (amongst others) hymns. One of the most popular of these releases was
Ukusindiswa (
1976), which has since been re-released in 2002. By 1981, the group had become well-known throughout South Africa, and was allowed to travel abroad to
Cologne,
Germany.
[Nkosi, W: "Ezulwini Siyakhona", liner notes. Gallo Record Company, 1986] The group toured and appeared on television, and also learned some of the
German language; their release
Phansi Emgodini (
1981) included the group singing in German on the track
Wir GrĂ¼ssen Euch Alle. The following year, the group traveled back to Germany to appear on television during a quiz event, and this brought about requests for live appearances.
1986-1994
In 1985,
Paul Simon travelled to South Africa in the hope of collaborating with black musicians for his
Graceland album. Simon then asked the group to work with him on the album, and so they travelled to
London to record tracks for the recording; the first,
Homeless, was composed by Shabalala (with English lyrics by Simon). In February 1986, the group released
Ezulwini Siyakhona; the liner notes of the record includes references to Paul Simon's encounters with the group.
Graceland itself was released in May of that year, and although both Joseph Shabalala and Paul Simon were accused of breaking the cultural boycott of South Africa,
[Simonson, E: "On Tiptoe: Gentle Steps to Freedom", interview with Paul Simon on the Apartheid system. New Video Group, 2004] the album was a success and introduced Ladysmith Black Mambazo into the international arena. This also paved the way for other African acts like
Stimela and
Mahlathini and the Mahotella Queens to gain popularity amongst Western audiences.
After
Graceland, Simon acted as
producer on three records for the group aimed at the American market,
Shaka Zulu (1987),
Journey of Dreams (1988) and
Two Worlds, One Heart (1990). On the latter album, the group recorded with performers such as
The Winans,
Julia Fordham,
George Clinton, among others. But despite this success, tragedy occurred in 1991: on the night of
December 10, Joseph's brother and one of the bass members in the group,
Headman Shabalala, was shot and killed by Sean Nicholas, a white off-duty security guard. His death was considered to be a racial killing and Joseph stopped singing.
[Simonson, E: "On Tiptoe: Gentle Steps to Freedom", interview with Paul Simon. New Video Group, 2004] But eventually, helped by his beliefs, he returned to singing and recruited four of his six sons into the group in 1993 (following the retirement of another three members; see
Membership for details).
1994-2003
The abolition of
Apartheid in South Africa and the election of the first black president,
Nelson Mandela, brought about the group's first release since 1991;
Liph' Iqiniso was, all in all, a celebration of the end of Apartheid.
In 1993, at the request of
Nelson Mandela, Black Mambazo accompanied the future President of South Africa to the
Nobel Peace Prize ceremony in
Oslo, Norway. Mambazo sang again at President Mandela's inauguration in May 1994.
In 1998, the group recorded a special version of
Inkanyezi Nezazi (The Star and the Wiseman) for a series of advertisements in
Britain for
Heinz. The adverts proved so popular that the group released the original 1992 version as a single; this was followed up by a
Best of... release which was certified triple platinum, selling 1 million copies in Britain alone.
[Simonson, E: "On Tiptoe: Gentle Steps to Freedom". New Video Group, 2004] The single reached #2 in the UK Pop Charts. They have since traveled the world and have recorded with performers such as
Stevie Wonder,
Dolly Parton,
The Winans,
Julia Fordham,
George Clinton,
B*Witched,
The Corrs,
Ben Harper and many more and performing for
Nelson Mandela,
Pope John Paul II and the
British royal family among many others.
Shabalala's wife
Nellie was murdered in May 2002; Shabalala was injured in the hand when trying to protect her. The killing occurred during the recording of the group's album
Wenyukela; because of this, many thought the album had a solemn touch to it. Many songs had a moral theme to them, such as
Wenza Ngani? (How Did You Do That?), which spoke of
racism between black and white people;
Fak' Ibhande (Don't Drink and Drive), which warned of the dangers of drinking alcohol and driving; and the title track,
Wenyukela, which spoke of the resurrection of
Jesus and how South Africans were nearly misled into killing each other during the 1994 elections.
[Shabalala, J: "Wenyukela", liner notes. Gallo Record Company, 2003] Selingelethu Sonke was a song that asked for fair trade to be brought to Africa. The group had originally spoken of the issue of fair trade in the
Oxfam campaign
Make Trade Fair. They appeared as guests in "The Big Noise", a worldwide petition for fair trade.
2003-present
The success of
Wenyukela in South Africa prompted its release in
Britain in March 2003 on
Wrasse Records. Following the repeated success of the album, the
American-based
Headsup International released the album in January 2004. In addition to the standard version, Headsup released the album in the
Hybrid SACD format. The US release reportedly sold 6 million copies [
1] and the group won their second
Grammy Award for the album. Following this, they embarked on a tour of the US which spanned over three months.
The group returned to Headsup with their 2005 release,
No Boundaries. The album was a collaboration between the group and the
English Chamber Orchestra and featured many classical standards (
Jesu, Joy of Man's Desiring,
Ave Verum Corpus) and Mambazo tunes (
Homeless,
Awu, Wemadoda,
Ngingenwe Emoyeni). Despite initial worry about European traditions and Zulu folklore, the album did sell very well
[Williamson, N: "Long Walk to Freedom", liner notes. Headsup International, 2006] and was nominated for a Grammy Award.
On their latest release,
Long Walk to Freedom, the group recorded with artists from both the US and South Africa:
Zap Mama,
Sarah McLachlan,
Melissa Etheridge,
Joe McBride,
Natalie Merchant,
Emmylou Harris,
Taj Mahal,
Lucky Dube,
Phuzekhemisi,
Bhekumuzi Luthuli,
Nokukhanya,
Thandiswa,
Vusi Mahlasela and
Hugh Masekela. To support the promotion of the album and their new tour, Mambazo appeared on various television and radio programmes throughout January and February 2006. The group has also started a street team; this is currently exclusive to fans in the US and Canada [
2]. The group also wished of working with Paul Simon once more, twenty years on since
Graceland [
3].
In January 1999, Joseph Shabalala founded
The Ladysmith Black Mambazo Foundation. The aim of the organisation is to teach young
Zulu South African children about their traditional culture and music; isicathamiya. Today, the Mambazo Academy is currently being built, with plans for a rehearsal hall, teaching areas and a professional recording studio. The main aim, of course, is to promote and teach the history of isicathamiya music to youngsters.
Ladysmith Black Mambazo, like many other artists, have been acknowledged in award ceremonies such as the
Grammy Awards and
Academy Awards. In
1988, the group received their first Grammy Award for the album
Shaka Zulu, which was their first release recorded for the American market. Since then, they have won one more, and have been nominated eight additional times.
Awards>| 1981 | S.A.R.I.E. Award | Best Choral Group on Disc |
| 1988 | Grammy Award | Best Traditional Folk Recording | Shaka Zulu |
| 1993 | Drama Desk Award | Best Original Music Score | The Song of Jacob Zulu (stage) |
| 1996 | Drama Desk Award | Best Original Music Score | Nomathemba (stage) |
| 1997 | S.A.M.A. Award | Best Zulu Music Album | Ukuzala-Ukuzelula |
| 1997 | S.A.M.A. Award | Best Duo or Group Award | Ukuzala-Ukuzelula |
| 2001 | S.A.M.A. Award | Best Zulu Music Album | Lihl' Ixhiba Likagogo |
| 2005 | Grammy Award | Best Traditional World Music Album | Raise Your Spirit Higher |
| Nominations |
| 1991 | Grammy Award | Best Traditional World Music Album | Classic Tracks |
| 1993 | Grammy Award | Best Traditional World Music Album | Best of - Vol. 1 |
| 1995 | Grammy Award | Best Traditional World Music Album | Liph' Iqiniso |
| 1995 | Grammy Award | Best Traditional World Music Album | Gift of the Tortoise |
| 1996 | Grammy Award | Best Traditional World Music Album | Thuthukani Ngoxolo |
| 1998 | Grammy Award | Best Contemporary World Music Album | Heavenly |
| 1999 | Grammy Award | Best Traditional World Music Album | Live at the Royal Albert Hall |
| 2001 | Academy Award | Best Short Documentary Film | On Tiptoe: Gentle Steps to Freedom |
| 2002 | Emmy Award | Best Cultural Documentary | On Tiptoe: Gentle Steps to Freedom |
| 2006 | Grammy Award | Best Contemporary World Music Album | No Boundaries |
The competitions and the first Mambazo concerts
After the release of the group's first album in 1973, they were banned from competing in the
isicathamiya competitions because of their ability to win many of the competition.
[Simonson, E: "On Tiptoe: Gentle Steps to Freedom", commentary by Joseph Shabalala on the Durban YMCA competitions of 2004. New Video Group, 2004] They were, however, welcome to perform for the audience. Following this, the group started performing for their own audiences in shows that were specially made - and soon afterwards, the group began touring around South Africa in their own concerts, but due to the
Apartheid system in use, they were often stopped by police guards; on some of these occasions they were even made to lie down on the ground whilst being searched. Shortly afterwards, they were allowed to tour without
permits.
The Graceland success
By 1986, the group had a very small number of white fans in South Africa; the majority of their fanbase was comprised of black people (the group mainly toured in townships). After
Paul Simon included the group on his "
Graceland Tour of 1987", the group began touring by themselves and became very widely known. They have visited Europe, USA, and Asia, amongst others. The group is quite possibly more well-known in the USA (due to the Graceland success and various advert campaigns for
7-Up and
LifeSavers candy) and the UK (again, because of the Graceland success, and several successful advertisements for
Heinz).
Today
|
Joseph Shabalala on stage, 2005 |
The group usually tours for three months before returning to South Africa (usually during the Christmas holiday). Altogether, the tours span nine to ten months each year. The group finished a four-month tour of the US in April
2006, and a follow-up 30-date tour of the UK (from
May 5 through to
June 10), with the
Mbaqanga trio
Mahotella Queens as their support act. Mambazo started a summer tour on
9 July 2006 with concerts in the US, Australia and New Zealand, ending in October
2006. In January
2007, the group will commence a three-month tour of the US [
4].
Initially, the group was formed of Joseph Shabalala, his brothers
Headman and
Enoch, cousins
Albert,
Milton,
Funokwakhe,
Abednego and
Joseph Mazibuko as well as close friends
Matovoti Msimanga and
Walter Malinga. Altogether, the group has had 30 different members at one point or another over the past forty-five years.
[Erlmann, V: "Nightsong", brief history of Ladysmith Black Mambazo (page 93). The University of Chicago Press, 1996] However, founder Joseph Shabalala continues to lead the group in the recording studio and on stage.
Even though the early line-ups of the group contained a large amount of relatives from Shabalala's family (and, from 1969, his cousins from the Mazibuko family), most of the members that arrived in the group after the mid-1970s were recruited for their professional qualities.
[Erlmann, V: "Nightsong", page 93. The University of Chicago Press, 1996] After alto voice Milton Mazibuko was murdered in 1980, the group spent quite a few months 'off', until returning the following year with two new members,
Inos Phungula and
Geophrey Mdletshe. After Shabalala's younger brother Headman was also murdered on December 10, 1991 (and the departure of Phungula, Mdletshe and
Ben Shabalala - who was also killed in 2004), the group stopped singing for a while before Joseph recruited four of his six sons. In the
1970s, the group's original six members had been joined by many other men (most of whom only stayed with them for the recording sessions). Joseph Shabalala's sons joined the group in 1993, moving up from Ladysmith Black Mambazo's junior choir,
Mshengu White Mambazo.
The members of the group currently reside in
Kloof, just outside of the coastal city of
Durban in
KwaZulu-Natal - though due to their heavy work schedule and appearances, the group only spend a few weeks at home. The chorus' members are Joseph Shabalala; his sons
Msizi,
Thulani,
Thamsanqa, and
Sibongiseni; cousins Albert and Abednego Mazibuko; and close friend
Russel Mthembu.
Jabulani Dubazana, a member of the group since 1975, retired from international touring in September 2004. Long-time member
Jockey Shabalala died at his home in
Ladysmith, South Africa on
February 11,
2006 from various ailments. He was 62, and was a member of the group for almost forty years.
Ladysmith Black Mambazo first recorded in 1973 on the
Gallo label in South Africa. Since then, they have cut over fifty albums. Many of them have received gold and/or platinum disc certification.
*
Ladysmith Black Mambazo Foundation*
Mshengu White Mambazo*
Solomon Linda*
Mahlathini and the Mahotella Queens*
Sweet Honey in the Rock*
Zulu language, one of the
Bantu languages of South Africa
*
Zulu culture
*
Shaka Zulu, the Zulu king
*
Official Mambazo site*
The group's tour schedule*
Gallo Record Company site*
Headsup International site*
News article on the death of Jockey Shabalala