Mosh
''This article is about the type of dance. For
Eminem's song and music video see
Mosh (song). For the professional wrestler, see
Charles Warrington.
Moshing is a type of
dance characterized by jumping around and/or pushing others to loud
punk,
hardcore, and
heavy metal music . Moshing is
popular with many, especially young, fans. Moshing is also gaining popularity in the
Rap and
Breakcore (a genre of extreme electronic dance music) scenes.
Moshing is typically done in a
mosh pit or
circle pit. Originally this was just a group of people typically directly in front of the stage who were engaged in this form of dancing. It is now more frequent that there are mosh or circle pits throughout the entire audience.
Mosh fashion relates to the music genre. Specifically, it began with wearing what one would wear to a concert where there would be a mosh pit.
Origins
The term "mosh" probably came from the term "mash" or dance (as in "monster mash"). In the early eighties, it was frequently spelled "mash", but pronounced "mosh", as in the 1982 song "Total Mash" by the Washington D.C. based hardcore group "Scream", on their "Still Screaming" album. Later, the term began to appear in fanzines of the time with its current spelling. The Jamaican pronunciation is likely due to the influence of ska and reggae on punk rock, as in the song lyric "Mash it up in Zimbabwe" in the song "Zimbabwe" on Bob Marley's 1979 "Survival" album.
The term "mosh" has often been credited to
Vinnie Stigma of the hardcore group
Agnostic Front as an acronym for "March Of Skin Heads", but most authorities cite
Darryl Jennifer or H.R.,
bass guitarist and Vocallist for
Bad Brains as the term's originator, from his
Jamaican-accented pronunciation of the word "mash", in "Mash down
Babylon", referring to the Rastafarian religious idea of the corrupt world-system and the track "Mash It Up". Many early punk scenes referred to this type of dance as 'thrashing', and the term 'moshing' gradually gained significance during the hardcore metal crossover days.
This fusion was created by bands like
D.R.I.. Slam dancing originated in Southern California during the west coast second generation punk movement. It began as bands like Black Flag & The Circle Jerks started playing extreme hardcore punk. The kids from the beach cities began attending shows and took the pogo to the next level of physical contact.
History
|
Moshpit: The Violent World of Mosh Pit Culture, by Joe Ambrose |
Mosh pits (or Circle pits) appeared in
1981, if not earlier, at a number of
punk rock concerts. The dance form later spread to the
heavy metal music scene, where
headbanging and
crowd surfing were incorporated. In the mid-1980s, when
thrash metal bands like
Slayer,
Megadeth, and
Anthrax were still playing club venues, mosh pits were a regular part of the concert experience. By the time of the
Woodstock 1999 music festival, moshing had been described as a full-scale riot. To solve these problems, venues that expect moshing now typically provide crowd control, including having concert rules, removing problem-causing audience members, and a "T-barricade" that separates the pit into two halves as well as from the band.
Although
The Smashing Pumpkins played a problem-causing show that made headlines for moshing, it was revealed that the death of
Bernadette O'Brien (a 17-year-old fan from Cork) by way of trampling was actually due to crowd-surfing at the show. The concert ended early and the following night's performance in
Belfast was cancelled out of respect for her. Due to the media's false portrayal of mosh pits being synonymous with stage diving and crowd surfing, her death was wrongfully blamed on the mosh pit.
The only book on moshing is
Moshpit: The Violent World of Mosh Pit Culture by Joe Ambrose
, anarchist writer and collaborator with, amongst others,
Iggy Pop,
William Burroughs,
Lydia Lunch,
Sol Melendez, and
Richard Hell. Ambrose's book contains a history of moshing and first hand reports from a variety of mosh subcultures, plus interviews with young moshers and members of
Slipknot,
Sepultura,
Trail of Dead,
Soulfly, and
Bullet For My Valentine.
On July 30, 2006, a violent fight broke out in the mosh pit at a
Korn concert in Atlanta, GA, resulting in the death of Andy Richardson, age 30, on August 1, 2006. No one present at the show has been able to give police a good description of the assailant(s). Lawyers representing Mr. RIchardson's family say they may file civil lawsuits against
Korn and the show's promoters. Mr. Richardson's mother, Gloria Richardson, said "... There needs to be more security or they need to not have these concerts at all ...", in a statement to Cox News Service.
Michael Moore's The Awful Truth
In
2000,
Michael Moore's
The Awful Truth television show took a portable mosh pit across the
United States to
Iowa and challenged the candidates in the
presidential primaries to dive into it. The premise was that the show would endorse any
presidential hopeful crazy enough to do it. At one debate this mosh pit was called "the defining moment of the
2000 election" by
New York Times columnist Gail Collins.
At a town hall event staged by
Ronald Reagan's former ambassador to the
United Nations' Economic and Social Council,
Alan Keyes, aides went outside to investigate the commotion. When informed that Keyes could get the endorsement of
The Awful Truth with Michael Moore, Keyes' national field director dove into the pit, hoping that his actions would help win the endorsement. He then brought out another one of Keyes supporters, dressed as
Uncle Sam, who also jumped in. Another supporter dressed as a shark jumped out off the stage onto a car, damaging it.
Alan Keyes, after several minutes of convincing by his daughter, dived into the mosh pit himself. He fell backwards into the screaming crowd of youths to the sound of
Rage Against the Machine and
surfed the crowd. After a couple of body slams with a young man from
Ames High School, he left the pit with the show's endorsement.
Michael Moore said of the incident, "We knew Alan Keyes was insane. We just didn't know
how insane until that moment." Details about this incident and the adventure of the portable mosh pit can be found on
Moore's web site.
Moshing is a catch-all term for any dance performed in a mosh pit or circle pit at a party or dance . Certain moves are seen with certain passages of music (for example the "two-step" for floor-tom
breakdowns).
It has always been mosh etiquette to help up those who fall down. Also, moshers generally try to avoid tripping others, therefore avoiding the entire falling 'incident'.
Moshing can be referred to by several different names, depending upon the subculture in which it is found:
hardcore dancing,
throwdown,
mashing,
Pitting, or most simply,
moshing. Slam dancing is characterized by its aggressive nature: the movements consist of violent contact with other dancers - pushing and shoving other dancers and body-slamming, or throwing your body into another dancer are the normal forms of slamdancing.
Moshing means different things within different genres of music:
*
Breakcore, a genre of extreme electronic dance music, attracts many ex-punkers or metal heads and also their mosh-pits.
*
Grindcore also has its own style of dancing, often referred to as the
grind (not to be confused with the urban dance style), which resembles a blend of
skanking and more of a slower mosh.
*
Wall of Death where the crowd is divided into two halves, the music is built up into a crescendo and then as it reaches fever pitch a signal is given by the band and the two sides run at each other and the intro breaks into the song proper. It results in moshing and fighting.
*
Metal performances are known for having large mosh pits fueled by the genre's popularity and large
venue bookings. Due to the rapid tempo of Metal music, the tempo of dance elevates to a fevered pitch. This frantic moshing, known as a Speed Pit or Speed Mosh, is commonly practiced during shows of such bands as
Iced Earth and
Slayer. The faster the metal is, the more intense it will get. It's thought that
thrash metal was the first heavy metal subgenre that had pits, due to the nature of
Punk rockers to like the thrash metal sound. Metal moshing generally consists of pushing, a variety of shoulder and body checks, Irish whips (a wrestling move that involves taking a person by the arm and launching them in a direction) and a contest in which two moshers lock hands and spin at a frantic pace, seeing who can hold on the longest. The loser is usually sent flying into a crowd. The moshpit is also referred to as "The Pit" .
*
Punk rock moshing generally involves slam dancing (aimless slamming into one another), the
pogo - jumping up and down into other people, (according to hearsay, it was invented by
Sid Vicious of the
Sex Pistols, but this is a myth), and
circle pitting, and is generally much less violent and dramatic than found at
hardcore punk shows. However, with punk/hardcore, the moshing is generally much faster than at metal shows seeing as the music's beat is much quicker. Punk was where the mosh pit was invented.
**
Hardcore:
Hardcore dancing is much faster and formulaic. It also includes people
windmilling, moves resembling aggressive
breakdancing, and solitary
martial arts maneuvers. These are often frowned upon by other dancers, especially if attempted at a non-hardcore concert. This is often due to the fact that hardcore dancers can be reckless, and pose an unnecessary threat to those who wish to Speed Mosh. Another form of hardcore dancing which involves the whole mosh pit is the
circle pit, in which people
skank at running speed around the circumference of the pit. It can include two-steps, windmills, and swinging the arms and legs violently. In some venues large pillars in the middle of the pit form a nucleus to charge around, such as
The Underworld in Camden, U.K. Whilst other forms of moshing promote camaraderie and friendship between dancers, Hardcore Dancing is criticized for its lack of camaraderie and more alienating overtone.
*
Hip hop related
**The
Gangsta walk, originally called the "buck jump," is circling the dance floor as quick and wild as you possibly can. First commonly seen at
rap shows in the
Memphis, Tennessee area.
*
Skank slam dancing is now seen in
ska or
ska-core shows.
**Skanking was always a part of traditional Ska shows
*
Industrial shows, especially Industrial-Metal or Industrial-Rock, will have mosh pits similar to that of metal. Industrial pits combine conventional moshing found at either punk or metal shows with dancing similar to that found in a club playing
EBM or
Industrial music. Due to the clockwork nature of
Industrial's rhythm, fans also like to stomp their feet on the ground (which generates a huge vibration since boots are a popular footwear choice) as well.
*In the
Finnish language the verb "moshata", meaning "to mosh", actually refers to both moshing and
headbanging, with the latter being the more common meaning. This has happened most likely due to confusing the activities of "moshing" and "headbanging" with each other.
Although most participants consider moshing fun, minor injuries can occur and there is a
risk of serious injury.
Supporters of moshing agree that there is some physical risk associated with the activity. Supporters argue that slam dancing can establish friendship and
camaraderie, that reports of death or serious injury relate to
crowd surfing or
stage diving, completely different activities. And despite the fact that injury can occur in a moshpit, no one is forced to go into one - those that do make the choice themselves, and are well aware of the risks. However, those on the fringes of the pit are likely to be hit and are sometimes shoved in.
Critics have charged slam dancing with inciting or condoning violence. Violence on the concert floor inevitably leads to some injuries. It is argued that an escalating cycle of violence can be observed. These charges are reflected in media reports.
To many, moshing is a kind of extreme sport. Many people in the pit do believe in stimulating friendship and camaraderie. Violence is usually directed against others in the pit, and often only escalates when it is badly received by someone who is outside or not used to the pit. The pit is meant to be fun. If a participant falls they risk being trampled, but someone nearby will always help a fallen person to their feet.
There tends to be some conflation between the actual dangers of moshing and the types of behavior which critics say it causes.
There are definite risks for those participating in moshing or approaching too close to the mosh pit. Many supporters actually believe that the point of moshing is its physicality and that its risks can be compared to the risks of any physically challenging sport. Some suggest there is a desire to be bruised fulfilled by mosh pits, as a form of basic stress relief.
It may be suggested that moshing reflects a modern "rite-of-passage trial" where young people choose to test their courage and strength among friends and/or strangers in an unpredictable situation teetering on the edge of chaos.
In many Western cultures, there are very few outlets for a some youths' inclination toward violence and the moshpit is a way for them to express these impulses. As it is meant to be, it is a sort of battle between consenting adults, and outside the pit there is no battle, often good friendships are struck up between "true hardcores". Violence escalates mainly when this concept is misunderstood whether it is inside or outside the pit.
Due to the rise of
chav/scally culture , people dressed in anything closely resembling rock/metal/punk etc. Attire is now being labelled as a "mosher", this may be due to ignorance on the part of the labeller or maybe due to the media's lack of true knowledge of the subject matter:
A mosher is ONLY a mosher if he/she is moshing - No other time.
*
air guitar*
circle pit*
crowd surfing*
Hardcore dancing*
headbanging*
list of dances*
moshcore*
ninja pit*
pogo (dance)*
stage diving*
Wall of Death*
Site of Joe Ambrose, author of Moshpit Culture*
The Mosh Pit*
The Beginners Guide To Moshing
