Neysa McMein
Neysa McMein (
1888-
1949) was an
American artist.
She was born Margery Edna McMein on
January 24, 1888 in
Quincy, Illinois. She attended the
Art Institute of Chicago and in
1913 went to
New York City. After a brief stint as an actress she turned to commercial art. On the advice of a numerologist she adopted the name Neysa, and she thereafter credited the name change with her rapid success.
McMein studied at the Art Students' League for a few months and in 1914 sold her first drawing to the
Boston Star. The next year she sold a cover to the
Saturday Evening Post. Her warm pastel drawings of chic, healthy American girls proved highly popular and brought her many commissions. During
World War I she drew posters for the
United States and
French governments and spent six months in France as a lecturer and entertainer. From 1923 through 1937 McMein provided all
McCall's covers. She also supplied work to
McClure's,
Liberty,
Woman's Home Companion,
Collier's,
Photoplay, and other magazines, and she created advertising graphics for such accounts as
Palmolive soap and
Lucky Strike cigarettes.
General Mills's Marjorie C. Husted commissioned her to create the image of "
Betty Crocker," a fictional housewife whose brand name was intended to be a seal of solid middle-class domestic values.
Alongside a highly successful career as an illustrator and designer, McMein managed a brilliant social life. A lively and unselfconsciously beautiful woman, she became a regular member of the
Algonquin Round Table set, with her closest friends including
Alexander Woollcott,
Alice Duer Miller,
Harpo Marx, and
Jascha Heifetz.
Franklin Pierce Adams,
Robert Benchley,
Edna Ferber,
Irving Berlin, and
Bernard Baruch were also among her companions, and her West 57th Street studio was a popular gathering place. In 1923 she made an unconventionally unrestrictive marriage with John C. Baragwanath, a mining engineer and author.
In
1921, McMein was among the first to join the
Lucy Stone League, an organization that fought for women to preserve their maiden names after marriage.
McMein's more private artistic ambitions lay in the field of portraiture, at first in pastels and later in oil. With the decline in popularity of her style of commercial art in the later 1930s, she turned increasingly to portraiture. Among her subjects were Presidents
Warren G. Harding and
Herbert Hoover,
Edna St. Vincent Millay,
Anne Morrow Lindbergh,
Dorothy Parker,
Janet Flanner,
Katharine Cornell,
Helen Hayes,
Dorothy Thompson,
Anatole France,
Charlie Chaplin,
Charles Evans Hughes, and Count
Ferdinand von Zeppelin (McMein had been one of the first women to fly in Zeppelin's dirigible). McMein died in New York, New York, on May 12,
1949.
From
Encyclopedia Britanica Online.
*
Cynthia Gallaher's website on Neysa McMein*
Algonquin Round Table Walking Tours*
Algonquin Round Table page at the Algonquin Hotel's web site*
Algonquin Circle Links