Rebecca (film)
_Film |
name = Rebecca |
image =Rebecca 1940 film poster.jpg|
director =
Alfred Hitchcock | producer =
Selznick International Pictures | writer =
Daphne Du Maurier (novel)
Joan Harrison Robert E. Sherwood (adaptation) | starring =
Laurence Olivier Joan Fontaine Judith Anderson George Sanders | distributor =
United Artists | released =
12 April 1940 | music =
Franz Waxman |
runtime = 130 min. |
awards = |
language = English |
budget = $1,288,000 |
amg_id = 1:40592 |
imdb_id = 0032976 |}}
Rebecca is an
Academy Award winning
1940 psychological thriller directed by
Alfred Hitchcock as his first
American project. An adaptation by
Joan Harrison and
Robert E. Sherwood of
British author
Daphne Du Maurier's
1938 novel Rebecca, it was produced by
David O. Selznick.
Rebecca stars
Laurence Olivier as Maxim de Winter,
Joan Fontaine as his second wife, and
Judith Anderson as his late wife's servant, Mrs. Danvers. The film is a gothic tale about the lingering memory of the title character, which still controls her husband, his new bride, and the housekeeper of their estate,
Manderley, long after her death.
At Selznick's insistence, the plot of the novel
Rebecca is largely unchanged in the film. Hitchcock was even able to sneak past the
Hollywood Production Code the
lesbianism of the housekeeper who is still obsessed with Rebecca, even after her death. It was one of the earliest, but far from the only, example of Hitchcock slipping veiled references to homosexuality into his films.
Rope and
Strangers on a Train are two notable examples of Hitchcock films that imply homosexual subtext without overtly dealing with the issue.
* Hitchcock had wanted to shoot
Rebecca, but had been unable to afford the rights.
* In order to maintain the dark atmosphere of the book, Hitchcock insisted that the film be shot in black and white.
* Selznick looked unsuccessfully all over America (particularly New England) for a suitable location to portray Manderley. In the end he was forced to use a miniature instead.
* As in the novel, the protagonist who narrates the tale is never identified by name. The original script named the heroine
Daphne, after the writer of the novel,
Daphne Du Maurier. Selznick objected and the name was dropped.
*
Ronald Colman turned down the part of Max de Winter.
* More than 20 actresses were screen-tested for the role of Mrs. de Winter, among them
Anne Baxter,
Loretta Young,
Margaret Sullavan and
Vivien Leigh (who was involved with
Sir Laurence Olivier at the time). Olivier pushed strongly for Leigh to get the role; as it was awarded to newcomer
Joan Fontaine instead, he retaliated by treating Fontaine badly. Hitchcock used this to his advantage by telling Fontaine that
everyone on the set hated her, in order to magnify the required shyness and unease of the role.
* Hitchcock can be seen walking past a phone booth just after Jack Favell makes a call in the final part of the movie.
*
Rebecca was the only Hitchcock film to receive an
Academy Award for Best Picture. This went to producer
David O. Selznick.
* Joan Fontaine was nominated in the
Academy Award for Best Actress category. The prize however went to
Ginger Rogers.
Judith Anderson, who was nominated for
Best Actress in a Supporting Role, also went home empty-handed, as did
Laurence Olivier, who lost out to
James Stewart.
* In Spain, a
rebeca refers to a variety of female knit jacket, after the one worn by the protagonist of the film.
Academy Awards won
*
Best Picture - David O. Selznick
*
Best Cinematography, Black and White - George Barnes
Academy Award nominations
*
Best Actor in a Leading Role - Laurence Olivier
*
Best Actress in a Leading Role - Joan Fontaine
*
Best Actress in a Supporting Role - Judith Anderson
*
Best Director - Alfred Hitchcock
*
Art Direction, Black and White - Lyle R. Wheeler
*
Special Effects - Jack Cosgrove, Arthur Johns
*
Best Film Editing - Hal C. Kern
*
Best Music, Original Score - Franz Waxman
*
Best Writing, Screenplay - Robert E. Sherwood, Joan Harrison
*
Classic Movies: Rebecca (1940)*
Criterion Collection essay by Robin Wood*
An analysis of Rebecca in the context of Hitchcock's career
*
Page sur le film Rebecca