Terry Gilliam
Terrence Vance Gilliam (born
November 22,
1940) is an
American-born
British filmmaker and animator, and member of the comedy group
Monty Python. He has the distinction of being the only American in an otherwise entirely British group.
Terry Gilliam was born in
Medicine Lake, Minnesota on
November 22,
1940. His father was a traveling salesman for
Folgers before becoming a carpenter. Terry had two siblings: a brother ten years younger, and a sister two years younger.
The family moved to
California because of his sister's
asthma, and Terry Gilliam enrolled into
Birmingham High School. He became class president and senior
Prom King, was voted 'Most Likely to Succeed', and got straight A's in school. During high school, he discovered
Mad magazine, which was then edited by
Harvey Kurtzman; this would later influence his work.
When Gilliam graduated from high school, he attended
Occidental College, at first studying
physics, then switching to
fine arts before finally majoring in
political science. Gilliam contributed to the college magazine,
Fang, becoming the editor during his junior year and turning it into a tribute to Kurtzman, to whom Terry later sent copies. After finishing college, Gilliam worked briefly for an advertising agency before Kurtzman offered him a job at
Help! magazine.
Terry Gilliam started his career as an animator and strip cartoonist; one of his early
photographic strips for Harvey Kurtzman's
Help! featured future Python cast-member
John Cleese. Moving to England, he animated features for
Do Not Adjust Your Set, which also featured future Pythons
Eric Idle,
Terry Jones, and
Michael Palin. Gilliam then joined
Monty Python's Flying Circus at its formation, as the only non-British member. He was the principal artist-animator of the
surreal cartoons which frequently linked the show's sketches together, and defined the group's visual language in other mediums. He also appeared in several sketches, and played side parts in the films but was definitely always the least visible python.
Gilliam's animations for
Monty Python have a distinctive style. He mixed his own art, characterized by soft gradients and odd bulbous shapes, with backgrounds and moving cutouts from
antique photographs, mostly from the
Victorian era. The style has been mimicked repeatedly throughout the years: in the children's television
cartoon Angela Anaconda, a series of television commercials for
Guinness stout, the "Children's Television Sausage Factory" openings that inspired opening animator
Barry Blair of
Nickelodeon series
You Can't Do That On Television!, the political cartoons that feature on the
website JibJab, a bizarre set of Internet cartoons called
Animutations made by
Neil Cicierega, the television history series
Terry Jones' Medieval Lives, recent episodes of the
Alton Brown's
Food Network television show
Good Eats, and, to a degree,
South Park.Gilliam went on to become a
motion picture writer and director.
His films are usually highly imaginative
fantasies. Most of Gilliam's movies include plotlines that seem to occur partly or completely in the characters'
imaginations, raising questions about the definition of
identity and
sanity. He often shows his opposition to
bureaucracy and
authoritarian regimes. He also distinguishes 'higher' and 'lower' layers of society, with a disturbing and
ironic style. His movies usually feature a fight or struggle against a great power which may be an emotional situation, a human-made
idol, or even the person himself, and the situations do not always end happily. There is often a dark,
paranoid atmosphere and unusual characters who formerly were normal members of
society. His scripts feature a dark sense of
humour and often end with a dark twist (cf.
tragicomedy).
His films have a distinctive look, often recognizable from just a short clip;
Roger Ebert has said 'his world is always
hallucinatory in its richness of detail.' There is often a
baroqueness about the movies, with, for instance, high-tech
computer monitors equipped with low-tech
magnifying lenses in one film, and in another a red
knight covered with flapping bits of cloth. He also is given to incongruous
juxtapositions, say of beauty and ugliness, or antique and modern. Most of his movies are shot almost entirely with extremely wide lenses of 28 mm or less, and extremely deep focus. Gilliam has always composed his scenes in the 1.85:1
aspect ratio.
Gilliam has acquired the unfortunate reputation of making extremely expensive movies beset with production problems.
After the lengthy quarrelling with Universal Studios over
Brazil, Gilliam's next picture,
The Adventures of Baron Munchausen, cost around US$46 million, and then earned only about US$8 million in US ticket sales. A decade later, Gilliam attempted to film
The Man Who Killed Don Quixote, budgeted at US$32.1 million, among the highest-budgeted films to use only European financing; but in the first week of shooting, the
actor playing
Don Quixote (
Jean Rochefort) suffered a
herniated disc, and a flood severely damaged the set. The film was cancelled, resulting in an insurance claim worth US$15 million. (Gilliam's reputation in this regard has been sufficient for the satirical newspaper
The Onion to run a news article entitled "
Terry Gilliam Barbecue Plagued By Production Delays".) Although the film was cancelled the story behind the whole production, filmed by a second crew hired by Gilliam to document the process (as sort of an insurance for Gilliam, he learned from previously cancelled productions), was made into a documentary named
Lost in La Mancha. See "
Lost in La Mancha" at the
Internet Movie Database and "
www.lostinlamancha.com".
Despite this, Gilliam has also helmed some unqualified successes.
The Fisher King (1991) was nominated for five
Academy Awards,
Twelve Monkeys grossed over US$168 million worldwide, and
The Brothers Grimm has grossed over US$105 million worldwide.
Films directed
Monty Python and the Holy Grail (
1975) (co-directed with
Terry Jones)
Jabberwocky (
1977)
Time Bandits (
1981)
The Crimson Permanent Assurance (
1983) (a short supporting feature that accompanied
Monty Python's The Meaning of Life)
Brazil (
1985)
The Adventures of Baron Munchausen (
1988)
The Fisher King (
1991)
Twelve Monkeys (
1995) (inspired by
Chris Marker's
La Jetée).
Fear and Loathing in Las Vegas (
1998)
The Brothers Grimm (
2005)
Tideland (
2005)
He has several projects in various states of development, including an adaptation of
Neil Gaiman and
Terry Pratchett's comic fantasy novel
Good Omens (as of Summer 2006, this seems likely to be his next project). In the mid-1990s, he and
Charles McKeown developed a script for
Time Bandits 2; the project never came to be, as several of the original actors had died. He also attempted to produce a version of
Charles Dickens A Tale of Two Cities.
Gilliam's unsuccessful efforts (in 1999 and 2000) to film
The Man Who Killed Don Quixote, based on
Miguel Cervantes'
Don Quixote, were the subject of the
documentary Lost In La Mancha (2002). His two efforts (1989 and 1996) to film the
Watchmen comics, written by
Alan Moore, were also unsuccessful.
Gilliam and Harry Potter
J. K. Rowling, the author of the
Harry Potter series of books, is a fan of Gilliam's work. Consequently, Gilliam was Rowling's first choice for the director of
Harry Potter and the Philosopher's Stone in
2000.
Warner Brothers refused to consider Gilliam as director, instead selecting
Chris Columbus for the job. [
1] Recently, Gilliam stated in relation to this episode, 'I was the perfect guy to do Harry Potter. I remember leaving the meeting, getting in my car, and driving for about two hours along
Mulholland Drive just so angry. I mean, Chris Columbus' versions are terrible. Just dull. Pedestrian.' [
2]
Gilliam, though rumoured for a day or so to direct
Harry Potter and the Half-Blood Prince, as per
IMDb, has stated [
3] that he will never direct any Potter film.
The Secret Tournament
In
2002, Gilliam directed a series of Television Advertisements called
The Secret Tournament. The advertisements were part of
Nike's
World Cup campaign and featured a secret three-on-three tournament between the world's best players inside a huge tanker ship, with the
Elvis Presley song
A Little Less Conversation playing during the advertisements. The advertisements were hugely popular and critically acclaimed.
Slava's Diabolo
In
2006, Gilliam directed the stage show
Slava's Diabolo, created and staged by Russian
clown artist
Slava Polunin. The show combines Polunin's clown style, characterized by deep non-verbal expression and interaction with the audience, with Gilliam's rich visuals and surrealistic imagery. The show was first presented at the Noga hall of the Gesher theater in
Jaffa,
Israel.
Although Gilliam is now a British citizen, he also maintains a residence in
Italy near the
Umbria —
Tuscany border. He has been instrumental in establishing the annual
Umbria film festival [
4] held in the nearby hill town of
Montone.
|
'So, you've discovered my diamond mine?' - Gilliam appearing in his own film, Jabberwocky |
* Gilliam famously appeared in a sketch on
Trigger Happy TV, where he was interviewed by
Dom Joly. Whilst filming, a planted busker set up behind the protagonists. Dom, feigning outrage at the temerity of the street performer, smashed the hapless busker's guitar before chasing him away and shouting 'Do you want some more â€" well do you? Come on then!' Gilliam was astonished and vaguely terrified, mouthing 'Oh, fuck!' to the cameraman.
* Terry was also the
chairman and
CEO of his own studio
Terry Gilliam Pictures Co. Ltd.
* Gilliam had dual American and British citizenship for 38 years, but gave up his American citizenship [
5] to live in England in 2006.
* Gilliam's mother was seemingly kidnapped by
Trey Parker and
Matt Stone on the
BBC's
Monty Python Night. Parker and Stone had
animated the famous "
Dead Parrot Sketch" using characters from their show
South Park: Cartman tries to explain to Kyle, the shopkeeper, that Kenny, a friend that he bought from the shop, is dead, borrowing nearly all of the dialogue from the parrot sketch. Parker and Stone both claimed that they had lots of fun making the sketch and wanted to make a lot more of them. They kidnapped Gilliam's mother, in order to force him to come and work for them, and create more animations.
*An asteroid,
9619 Terrygilliam, is named in his honour.
* Gilliam, Terry and Christie, Ian (Ed.) (1999).
Gilliam On Gilliam. Faber & Faber. ISBN 0571191908
From Fringe To Flying Circus: Celebrating A Unique Generation Of Comedy, 1960-1980 - Roger Wilmut, Eyre Methuen Ltd, 1980.
*
Senses of Cinema: Terry Gilliam*
Terry Gilliam at IMDb*
Dreams: The Terry Gilliam Fanzine*
The Terry Gilliam Files*
Another Fan Site*
The Onion: Terry Gilliam Barbecue Plagued By Production Delays*
Onion Interview (02/2003)*
Interview: Terry Gilliam (Badmouth.net)
*
IGN's Four Part interview with Gilliam*
Salon Interview (06/1998)*
Terry Gilliam video interview, BBC Hardtalk Extra