Turntablism
Turntablism is the art of manipulating sound and creating music using
phonograph turntables and an
audio mixer.
Beat-matching,
scratching, and
beat juggling are some of the elements in a
tablist arsenal.
Most turntablism occurs within the musical genre
hip hop, and emphasizes manipulation of a
vinyl record. One who engages in turntablism is a
turntablist: A term created in 1994 by DJ Supreme, to describe the difference between a
DJ who just lets records play, and one who actually manipulates the sounds of a record. This term was later popularized by
DJ Babu (of the
Beat Junkies and
Dilated Peoples) who inscribed his mixtapes as "mixed by Babu the Turntablist."
Turntablist
DJs use turntable techniques like
scratching or
beat juggling in the composition of original
musical works. Turntablism is generally focused more on turntable technique and less on mixing. Some turntablists seek to have themselves recognized as legitimate musicians capable of interacting and
improvising with other performers.
Turntables were first used as musical instruments in the
1940s and
1950s by
musique concrète and other experimental composers, such as
John Cage and
Pierre Schaeffer, who used them in a manner similar to
sampling. (Even earlier,
Edgard Varèse experimented with turntables in 1930, though he never produced any works using them.) Modern experimental turntablists include
Christian Marclay,
Otomo Yoshihide,
Philip Jeck and
Janek Schaefer.
Hip hop DJs developed independently of the earlier techniques, and the sounds produced by these experimental composers are quite different from later hip hop turntablism.
Hip hop turntablism can be traced to the 1970s (See
old school).
DJ Kool Herc and
Grandmaster Flash laid some of the groundwork, but it was DJ
Grand Wizard Theodore who accidentally isolated the single most important technique in turntablism: he put his hand on a record one day, to silence the music while his mother was calling out to him. He thus accidentally discovered the sound of scratching-moving the record back and forth under the
stylus.
DJ
Grand Mixer DXT is credited with inventing turntablism, the rhythmic scratching of a record on one or more (usually two) turntables, then using different velocities to alter the
pitch of the note or sound on the recording, making the turntable a fully performable and improvisational instrument (Alberts 2002). DXT appeared ( as DST ) on
Herbie Hancock's hit song "
Rockit."
More sophisticated methods of scratching were developed later, which involve moving the
fader on the mixer in a rhythmic manner while scratching, giving a wide variety of different sounding scratch effects. Others still have used
effect pedals to alter or manipulate the sound.
One of the earliest academic studies of the turntable (White 1996) argued for its designation as a legitimate electronic musical instrument and described turntable techniques such as backspinning, cutting, scratching and blending as basic to the repertoire of the virtuoso hip hop DJ. White demonstrated that the proficient hip hop DJ must possess many of the same skills required by trained musicians, including a keen sense of timing, sharply-developed hand-eye coordination, technical competence and creativity with his material.
New DJs/turntablists/crews like
DJ Craze,
Roc Raida,Dj Focus,
Ill-One,
DJ Q-bert,
Gunkhole,
A-Trak,
Noisy Stylus,
D-Styles,
Birdy Nam Nam and
Kid Koala owe a distinct debt to
Old School DJs like DJ Kool Herc,
Grand Wizard Theodore, Grandmaster Flash,
DJ Jazzy Jeff, DJ Ca$h Money,
Afrika Bambaataa and DJs of
the golden age of hip hop, who originally developed many of the concepts and techniques that evolved into modern turntablism.
Within the realm of hip hop, notable modern turntablists are the cinematic
DJ Shadow, who influenced
Diplo and
RJD2, among others, and the experimental
DJ Spooky, whose
Optometry albums showed that the turntablist can perfectly fit within the classic jazz setting.
Jurassic 5 members
Cut Chemist and
DJ Nu-Mark,
Kid Koala, and
Mix Master Mike, who collaborated with the
Beastie Boys on 1998's
Hello Nasty, are also known as
virtuoso of the turntables.
Like many other musical instrumentalists, turntablists compete to see who can develop the fastest, most innovative and most creative approaches to their instrument. The selection of a champion comes from the culmination of battles between turntablists.
Battling involves each turntablist performing a routine (A combination of various technical scratches, beat juggles, and other elements, including body tricks) within a limited time period, after which the routine is judged by a panel of experts. The winner is selected based upon score. These organized competitions evolved from actual old school "battles" where DJs challenged each other at parties, and the "judge" was usually the audience, who would indicate their collective will by cheering louder for the DJ they thought performed better. Often, the winner kept the loser's equipment and/or records.
*
Phonograph*
List of turntablists*
Hip hop music*
Beatmatching*
Battle records*Eshun, Kodwo
More Brilliant than the Sun. Adventures in Sonic Fiction. London: Quartet Books 1998. ISBN 0-7043-8025-0
*Poschardt, Ulf:
DJ Culture. London: Quartet Books 1998. ISBN 0-704-38098-6
*
Scratch - A documentary about the History and Culture of Turntablism
*
Scratch and the Hip-Hop Book of Grand Mixer DXT by Randy Alberts, Oct. 2002
*
The Phonograph Turntable and Performance Practice in Hip Hop Music by Miles White, EOL, Vol.2, 1996.
*
A History of Vinyl: Turntablism from the
BBC*
DJ Forums Various Turntablist resources and an online community.
*
International Turntablist Federation USA*
DMC Technics DJ World Championships*
General Turntablism Information*
History of Turntablism*
Hop Turntablism Video*
Turntablism: Beat Juggling and Scratching Videos
